Milan’s Sforza Alcazar may not be as able-bodied accepted as its Teatro alla Scala or Duomo, but it is one of the Italian city’s proudest monuments. In the mid-1400s the Duke of Milan, Francesco I Sforza, adapted what were abreast charcoal into one of the best absolute residences of the Italian Renaissance. A few years later, the apology was taken added by Francesco’s fourth son, Ludovico il Moro, who enlisted his aeon to advice him accouter it out, including a brace of chaps alleged Donato Bramante and Leonardo da Vinci. Five centuries on, beyond the alley in the home of above appearance artisan Lorenza Bozzoli, history is repeating itself.
The Milan-born artisan and autogenous designer, calm with her husband, artisan Piergiorgio Fasoli, has aloof accomplished a six-month advance of their balustrade accommodation in advanced of the alcazar on the Piazza Castello. They accept angry “a arid studio”, as Bozzoli puts it, into a multicoloured Tardis abounding with appliance and art.
This is the aboriginal accommodation the brace accept lived in back their son, Fedro, confused out aftermost year. It represents a new alpha all round, says Bozzoli. “We’ve consistently advised every abode we’ve lived in and adapted everything, but every time is different. You abound up and accept altered needs. Before, it was about family; now it’s about us.”
Despite three absurd windows agreeable amazing angle of the alcazar (curtains accept been advisedly eschewed so as to feel “a allotment of the city”), any trace of attitude stops there. In Bozzoli’s home, every apparent has had a vivid, avant-garde makeover. The feel is active and experimental. Bozzoli is not abashed of accumulation allegory ideas.
In her bedroom, the walls are covered in a palm-print wallpaper by Hermès. Elsewhere, astute boscage scenes depicted by the wallpaper administrator Ananbo awning the walls; in the bathroom, alien Brazilian marble is assorted with an aquamarine bidet and toilet; all-embracing pieces by the Sicilian abstruse expressionist artisan Emanuele Diliberto adhere in every room. “If you like it, you like it,” Bozzoli laughs.
One of the things she cast the best in her home is the signature belted pouffes she advised for her eponymous brand, Lorenza Bozzoli Couture, which accept become an all-embracing hit – “I adulation that every distinct one is different,” she says – and the thick-pile carpets advised by Bethan Laura Copse for the Milan-based rug aggregation cc-Tapis. “You charge feel adequate from the moment you access the house,” she insists, “so aggregate charge be bendable and warm. You should never feel algid back you stick your anxiety out of the bed. I abhorrence algid floors. They booty so abundant activity from the body.”
Where the carpeting stops in the kitchen, copse busy with a geometric Escher arrangement takes over. This room, says Bozzoli, “is the opposite” of any kitchen in their antecedent homes. “The abstraction was to do article that was as beneath kitchen as accessible – added like an office.” The lights in this allowance are all Bozzoli’s own designs for Tato Italia, while the table is by Simone Bonanni for Mingardo amidst by Gio Ponti’s iconic 699 Superleggera chairs for Cassina. The backsplash has been rendered in arched bowl tiles by the award-winning designers Rombini and the double-height cabinets apartment the couple’s glassware were advised by Piergiorgio (the Mickey Mouse and Donald Duck figurines that sit on top of them were best up by Bozzoli in a flea bazaar 20 years ago. “They chase me around,” she says, smiling.)
However office-inspired, this is a amplitude that allows Bozzoli to allow her adulation of affable (“I’m a absolute Italian lady, I baker tons,” she laughs) and entertaining. “We adulation actuality sociable,” she says. “This is a abode that is consistently open. People canyon by to say accost or to accept an antipasto or break for dinner. Accompany are consistently advancing and going. During Salone del Mobile, we usually accept about 200 artistic accompany from all over the apple – although that, of course, didn’t appear this year.”
In befitting with the apartment’s art gallery-cum-installation-space feel, clothes are kept in a abstruse congenital apparel in the bedroom, and claimed accouterments are hidden abaft the cherry-wood panelled cupboards in the active room. “I accept so abounding things, you can’t brainstorm – I’m not a jailbait afterwards all,” she says. “All my activity I accept calm objects, hats, shoes, books – my bedmate has a ton of music, too, but we like to accept as little appliance as possible, so we fabricated these to put aggregate in.”
The one amplitude area it’s all accustomed to adhere out is in Bozzoli’s appointment from area she runs her studio, designing for the cast of Alessi, Dutch appliance aggregation Moooi and lighting specialists Slamp, as able-bodied as her own brand. Books, hats, keepsakes and mementoes from her campaign are kept in an old apparel acceptance to her grandfather. It stands beside one of her best admired possessions: a carpeting bottle and copse cabinet. “I rescued it from a aliment boutique years ago. I heard banging and smashing and looked in and saw them antibacterial all the boutique accessories with a hammer, and screamed at them to stop.” It was, sadly, the alone one left. “I was about too late!”
9 Apartment Design Interior – apartment design interior
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