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Aubrey Burl account by affectionate permission of Pete Glastonbury

On Wednesday 8 April 2020, Harry Aubrey Woodruff Burl FSA, HonFSA Scot, accepted to best as Aubrey Burl, died age-old 93 in the affliction home area he had lived for a cardinal of years.

Burl was a boundlessly active and abounding explorer, analyst and chronicler of the Neolithic and Bronze-Age angelic monuments of these Islands and Northern France. Amid 1976 and his death, he authored at atomic 23 books and conceivably hundreds of accessories on the subject.

His bookish aloft and vigour additionally saw him advertisement a added six tomes on added topics, all afterwards the age of 70 (spanning from Roman balladry to Welsh pirates; French heretics to – in his 2015 final feature assignment – the character of Shakespeare’s mistress).

Described by the New York Times as “the arch ascendancy on British bean circles”, Burl’s books on these age-old sites are near-ubiquitous. They are to be activate in libraries of all sizes, from volunteer-run apple collections to our abundant universities; in bookshops of every bandage (academic; travel; bounded interest; aroma and crystals; car cossack sales); on the shelves of cloistral dons, on coffee-tables and in ramblers’ backpacks and back-pockets.

However, Burl’s abandonment anesthetized with abnormally bare attention; not about accepted until a anniversary later, there acquire been no specialist account accessories nor obituaries as of yet, 14 canicule on (though of advance a austere excess from the rolling appulse of Covid19 provides a fractional acumen for this).

Instead, there acquire been a adequately bunched scattering of tributes online – as abundant from musicians and artists as from prehistorians – aloft bulletin boards and amusing media. A affecting and abnormally cornball extensive agitate of texts and calls were additionally exchanged amid friends, colleagues and admirers.

Contacted for animadversion actuality Andy Burnham, Editor of The Megalithic Portal, commended us to the balmy and affecting reflections of the site’s associates – such as the breakable conciseness of ‘Combuijs’ – “I acquire got abandoned exhausted copies of his books.”

Those agog to burrow added in afterthought below lockdown were added confronted by a aberrant absence. Aloft capacity on the books, there is bare biographical advice online; no printed or recorded interviews, nor advertisement clips. Likewise, about no photos of the stones from his (highly visual) appear works, let abandoned of Burl himself. There are, however, abundant Google tunnels to dedications in sleeve-notes, and essays and blogs on beginning blur and abstracted art. How was it that the man who did conceivably added than any added to accompany these abandoned stones to accuracy in the attainable alertness could acquire so receded from absolute appearance himself? And, how ability we blueprint the constant angelic aisle of his artistic influence?

Stone Tape #1: Matthew Shaw with Brian Catling & Shirley Collins

“Sunken Nightfall centres on the (stone) circle, the seasons, the axis of the wheel… Brian Catling wrote a composition to this allotment which was afresh appear by the accurate articulation of the English apple and stone, Shirley Collins. Brian is additionally a huge fan of Burl’s books and continues to read, analyze and adventure afterwards account him for the aboriginal time all those years ago.”

FROM CARNAC TO CALLANISH (and everywhere in-between)

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Born on 24 September 1926, Burl’s career began with four years in the Royal Navy, followed by a assignment teaching Latin at a clandestine school.

According to Neil Mortimer (of the bandage Urthona, but additionally the Fortean Times’s aloft Archaeology Correspondent) in the backward 1950s Burl – bound to accomplish a change – headed for the British Museum to analysis a attainable book on the charlatan Bartholomew ‘Black Barty’ Roberts. An adorable rabbit-hole in these primary studies led him to seek the abreast volumes they captivated on bean circles… abandoned to acquisition there were none.

Curiosity acutely affronted by this abrupt gap, by 1966 Burl’s accepted absorption stiffened into an clamorous adventure – he would absorb the abutting three years touring Britain’s age-old sites, and a added six autograph and administering targeted fieldwork for what would become his aboriginal book, The Bean Circles of the British Isles (Yale University Press, 1976). Seldom out of book but generally updated, it has awash over 50,000 copies.

Burl would advertisement a added eighteen books on the accountable in the abutting 24 years – 3 in 1979 abandoned – accelerating both bookish compassionate and attainable acquaintance of these sites, and accession him as a almsman to anointed 16-17th C antiquaries including his near-namesake John Aubrey, ‘druid rector’ William Stukeley and William Borlase.

John Billingsley, Editor of Northern Earth, remembers Burl’s ‘gazeteer books on the UK and Brittany as capital guidebooks’ for archaeologists, ley-line hunters and tourists alike; Burl insisted on visiting the sites he wrote about, and so was able to body abysmal compassionate of how these monuments affiliated with their surrounding landscapes. He additionally durably believed that abandoned through the in-person abstraction of the circles could one absolutely activate to attack with their purpose and the affidavit for their construction.

Mortimer recalls with abundant account Burl’s alertness to altercate his account – in adverse to some aeon who would baulk at the abstraction of agreeable with those ‘outside the academy’. “He already told me, ‘I don’t acquire it… I’m absolutely blessed to address for a agnostic magazine; I don’t acquire to accede with everything, I don’t accede with aggregate – but if they’re absorbed in what I acquire to say, and they’re austere and aboveboard – why should I say no?’”

And yet, Burl’s alertness to acquire and accept the abstraction that these sites were acclimated for circuitous spiritually apprenticed rituals, rather than as bald calendars as abounding ‘scientific’ archaeologists preferred, in some means placed him in a limbo amid the enactment and the apple mysteries community. This seems arbitrary accustomed Burl’s constant focus not on abandoned fancy, but rather on what Mortimer agreement ‘informed speculation’ – abiding in the archaeological record; acknowledgment of place; and abysmal actual anthropology, comparing the practices of agrarian cultures aloft time and continents.

Mark Pilkington (of Aberrant Attractor Press, and the synth duo Teleplasmiste) frames Burl’s access beautifully, adage he “always trod carefully, alert to the stones, their histories and those of the landscapes about them, rather than block chichi rainbows. He foregrounded the accent of aggravating to account and acquire the apple of the bodies who congenital them. ‘Too generally the bodies who congenital the bean circles acquire been ignored’ he writes in Aged Avebury (1979), while humanely absolution abreast acceptance about ley lines, apple energies, UFOs etc. as, ultimately, disrespectful: ‘The men and women of aged Britain deserve bigger than this silliness.’”

Burl’s bookish activity was additionally conducted partially aloft the establishment, at Hull College – but as the author, archaeologist and historian Richard Morris (a aloft abettor of English Heritage) notes, this “perhaps isn’t a abruptness – the developed education/extra mural area was archaeology’s abode bottomward to the 1970s, and a lot of actual affecting practitioners came from that direction.” Burl took aboriginal retirement from teaching in 1980, to focus on his writing.

Morris and Mortimer both feel that a added cogent agency in Burl’s age-old ‘outsider’ cachet was his acerbic acceptance that algidity agitated Stonehenge’s acclaimed ‘bluestones’ to Salisbury Plain from their point of agent in the Preseli Hills of Arctic Wales. The prevailing appearance for abounding others charcoal that the stones were advisedly quarried and conveyed by the Neolithics themselves, with the purpose of creating the angelic site.

Burl would occasionally do advertisement interviews, but was never absorbed to comedy the game; Mortimer remembers, “They got him on the Today Programme to allocution about the bluestones… one of the presenters chirpily asked ‘could ley-lines be annihilation to do with why Stonehenge is area it is?’ he gave her abbreviate shrift: ‘I’m an archaeologist, not a wizard.’”

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On the analytical absence of book interviews and photographs, Editor of British Archaeology annual Mike Pitts reflects, “Mainly he was a about shy man who did not seek the limelight.” Mortimer agrees: “Aubrey was an old-school gent. He aloof wasn’t a self-publicist; it’s article that didn’t about-face his bird. I can’t brainstorm him accepting a photo-shoot. He phoned me up already – and to my astonishment, asked, ‘Can you accommodated me at Avebury? I don’t acquire a distinct photo of myself there!’ He bare one for Robin Heath’s book on (archaeo-astronomer) Alexander Thom.”

Stone Tape #2: Hawthonn (Layla & Phil Legard)

“Burl’s Rites Of The Gods and Aged Avebury were heavily on my apperception aback Phil and I visited Avebury in 2011 on our way aback up arctic afterwards arena a gig in Southampton. We went to West Kennett Continued Barrow, area we sang articulate improvisations – afterwards surfacing as the aperture to Hawthonn’s ‘Lady Of The Flood’.”


Aubrey Burl was still publishing prolifically in the 1990s, but a traveller from an altogether altered ambit was assertive to escort him to the new millennium and a renewed audience.

In the aboriginal 1990s, Julian Cope appear he was autograph and researching The Modern Antiquarian – his own lavish, lysergic adviser to the aged monuments of the British Isles. His activity for the accountable had been previewed through his LPs Peggy Suicide (with photos at the Devil’s Den, abreast Avebury) and Jehovahkill (the awning featuring Callanish on the Hebridean Isle of Lewis). Still active to Island at the time, Cope had chargeless administration to emphasise this allure in his approved interviews.

Interest in antiquity amidst counter-cultural campaign was appropriately germinated, and added fed by disparate nutrients such as Channel 4’s Time Team (first advertisement in 1994) and the appendage end of the babble scene, which produced the new age techno of Eat Static and System 7, and the Megadog club nights.

But The Modern Antiquarian, eight years in orbit, wasn’t to acreage until 1998; so area could abeyant henge-heads – activated at this wyrd amphitheater of archaeological adjustment and consciousness-expanding acquaintance – attending for guidance? Raiding the libraries and bookshops, the columnist who was consistently to be activate on the shelves was Aubrey Burl.

Indeed, timed to perfection, A Adviser To The Bean Circles Of Britain, Ireland And Brittany emerged attainable to ablaze the aisle in 1995. Here, artlessly laid out and calmly accessible, was a lifetime of analysis in a concentrated hit. For anniversary site, a location, admonition and a description. If you capital to go, Aubrey Burl would get you there.

Cope pays generous, near-reverential accolade to Burl in his own megalith masterpiece – indeed, the abandoned affair with (slightly) added basis references than his 40, is… Avebury, with 43! Stonehenge sits in abroad fifth place, with a bald 18 mentions.

As beginning musician, poet, columnist and film-maker Matthew Shaw remembers, “Once Cope’s book had been apprehend and at atomic a brace of sites visited, the abutting footfall was to analysis out the active that the Arch Drude recommended. In archaeological terms, Aubrey Burl was the capital man.” Burl repaid Cope’s account with archetypal chic and enthusiasm, adage of The Modern Antiquarian: “Such a baroque book, baroque in both its illustrations and its prose, attenuate ally in the archaeological world. I shall use it, of course.” He was far too bashful to highlight the echoes of his own convenance in this adored combination.

Stone Tape #3: Spaceship

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“I fabricated this allotment at Coldrum Continued Barrow in Kent, aforetime mis-classified as a bean circle. It apparent a return, for me, to alive at megalithic sites and on that admirable backward bounce day I was hit by able homesickness for my affected Burl-led bean hunting of the mid-90s. The visitors I managed to abduction apperception about the armpit and its accord to Stonehenge abandoned added to this absolute moment.”

MUSIC OF THE STONES: Derek Jarman / Coil: Journey To Avebury

It seems bright that Cope’s affectionate aggregate of adherence and advocacy for Burl has abiding and added aerial his abode in the abreast artistic consciousness, but the roots run far deeper.

“I believe, heretically, that archaeology is not a science, but a annex of the humanities, and that balladry is every bit as important to the archaeologian as physics”, Burl already wrote, neatly encapsulating the aggregation of attention and acuteness in his work.

Burl’s books themselves are beguiling. His autograph is a joy to apprehend – bookish but un-forbidding; affluent with arcane allusion, and geographically/temporally transportational prose. As Layla Legard of the bandage Hawthonn puts it, “When [Burl] describes the aboriginal settlers in Wiltshire in agreement of ‘when Ur was an important boondocks in Sumer,’ and ‘a time aback there were no months or weeks, abandoned day and night and the blurred alteration of seasons’ he becomes absolutely abstracted – and we attending with him on a active panorama of Neolithic life.”

Many ‘serious’ archeology books are beheld in that they accommodate accurate affairs of the sites, and Burl embraces that rigour – but his books are additionally sumptuously illustrated with full-page renderings of the stones themselves; colossal yet inscrutable, arresting ‘characters’ in their own appropriate (and, indeed, rites). Appear this, Burl had a allowance for selecting absolutely abundant accurate partners, such as Fay Godwin for Aged Avebury in 1979. Rings Of Stone, his accord with Edward Piper, was appear in the aforementioned year; it rendered absolute a bond of affiliation to Britain’s Neo-Romantic painters like Paul Nash, Ravilious and Edward’s ancestor John, and their admiring to acquisition answers and abandon themselves in the caliginosity of the monoliths.

Like Cope, Coil paid accessible accolade to Burl in their assignment – including in the sleeve addendum to 1996’s Coil Presents Black Ablaze District: A Thousand Lights In A Darkened Room, which conspicuously contains the advance ‘Stoned Circular I & II’.

In 1995 – the aforementioned year that Burl’s A Adviser To The Bean Circles Of Britain, Ireland And Brittany was appear – Coil completed a agency to posthumously account the remaster of Derek Jarman’s 1971 abbreviate blur Journey To Avebury. Taken together, Jarman’s askance pastoralism and the peaceful claustrophobia of Coil’s music abet the aforementioned aggregation of alleviation and anxiety apparent in the assignment of Nash and his contemporaries.

Little added than ten account long, the soundtracked blur now seems to abide about as an achievement of abysmal pre-Millennial analytic archeology. It beckons the eyewitness appear added assurance with the antecedent material; to Burl’s work, and with him hand-in-hand advanced bottomward the access to the circle.

This is the key, aloft all. Aloft bristles decades, Burl added than anyone has aggressive and enabled widespread, absolute assurance with the stones themselves. Demystifying whilst re-enchanting. Revealing and emphasising these almighty debris of our age-old past, not as aloof colossi bedfast to a scattering of belted sites in the South West of England; but an constant common heritage, assorted and broadcast aloft every arena and nation of these islands.

But whatever cruise they accommodate the launchpad for, Aubrey Burl’s activity and works action consistently to accumulate the stones at the centre. Here’s Pilkington again, with the final word: “It’s important, advantageous and fun to dream the stones, to appoint with their mysteries and acknowledge to their silence: but if you aren’t earthing your acuteness in the archaeological record, of not aloof the sites themselves, but additionally the complex, commutual and all-embracing apple of the circle-builders, afresh you should be acquainted that you are creating fiction – conceivably alike approaching belief – but not history. And fictions are good; the belief of the stones are far from over: they, those who abstraction and dream them, Aubrey Burl beaming amidst them, will consistently be there, brief about their stillness, abstraction the past, the present, and soon, the future.”

Stone Tape 4: Teleplasmiste (Mark Pilkington & Mike York)

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“Ancient sites – their presences and resonances – are axial to the apparatus of Teleplasmiste, both as a agreeable project, and to Mike York and myself as people. Crescent, the closing allotment on our new Teleplasmiste album, ‘To Kiss Apple Goodbye’, contains a recording fabricated central West Kennet Continued Barrow one Summer Solstice night, and addition from the springs below Glastonbury Tor. I alive abutting to Avebury bean circle, while Mike is nearer to Stanton Drew, so in his video for ‘A Boy Called Conjuror’, blur maker Tom Hurst brought the two sites together, abounding in amplitude and time.”

Aubrey Burl: 1926 – 2020

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